first works

Yekta Çetinkaya

Yekta Çetinkaya is a visual artist and writer from Istanbul, Turkey, currently living and working on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.

His practice encompasses installation, sculpture, and painting, through which he explores the transient nature of knowledge and visual culture with an inquiry into non-linear time. His works are introductions to other stories, which exist in past, present, and future, traversing within and between cultures, communities, and histories. They aim to initiate dialogue between historical narratives of multiple perspectives, destabilizing the entrenched colonial history of progress, and generating new knowledge for the future. Oscillating between numerous aesthetic and research interests, such as Anatolian visual culture and folk practices, Islamic mathematical art/architecture, and speculative fiction, his works negotiate a multitude of cultural, social, and political terrains, but stay emotionally connected to the homeland. They  reveal remote relationships between worlds, and establish new connections through motifs and patterns.

Alongside his artistic practice, he is a writer, curator, and team member of Nosy Mag, an Ottawa-Gatineau based artist collective examining and building the region’s culture through exhibitions, essays, events, and by providing resources.

www.yektacetinkaya.com

about

Y.U.R.T.

“Y.U.R.T.” is a multimedia installation that reimagines the traditional nomadic yurt as a hybrid space of cultural memory, evanescent tourist lodging, and transmigratory device. Y.U.R.T. speculates how cultural traditions and objects shift and adapt to global circumstances and capitalist economies. It focuses on social and aesthetic concerns relating to the tourism industry, nomadic cultures, and differing understandings of home. The project engages themes of displacement, migration, and, diaspora futurisms to address the conflict between the feelings of belonging and non-belonging.

During the residency period, ​Yekta will design custom electronic systems, including motion-triggered mechanisms, responsive sensors, and kinetic components which will interact with projection-mapped visuals that transform the yurt into a living organism responsive to viewer presence.

Y.U.R.T. advances Çetinkaya’s interdisciplinary practice by integrating sculpture, electronics, and time-based media, while opening new pathways for storytelling, cultural preservation, and interactive engagement rooted in diasporic identity.